HR 96.0kHz/24Bit 
专辑名称: À sa guitare
创作艺人: [Philippe Jaroussky]
音乐流派: Classical|古典
专辑规格: 1碟22首
出品公司: Warner Classics
发行时间: 2021/10/15
官方标价: ¥120.00 （会员免费下载）
域名语言: [ca][it] （AI检测）
曲目介绍：
À sa guitare, FP 79a (Transcr. Garcia)
The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite
Caro mio ben (Formerly Attributed to Tommaso Giordani) [Transcr. Jacques]
Il primo libro delle musiche: Chi desia di saper
12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja (Transcr. Garcia)
Erlkönig, Op. 1, D. 328 (Transcr. Jacques)
Sarabande pour guitare, FP 179
Septembre (Transcr. Garcia)
If Music Be the Food of Love, Z. 379 (Transcr. Garcia)
A Musicall Banquet: No. 3, In Darkness Let Me Dwell (Transcr. Garcia)
Manhã de carnaval (From "Orfeu Negro") [Transcr. Garcia & Ferreira]
Xodó da baiana
Abendempfindung, K. 523 (Transcr. Jacques)
L'amor contrastato, ossi la molinara, Act II: "Nel cor più non mi sento" (Transcr. Jacques)
Alfonsina y el mar (Transcr. Garcia)
3 Songs, Op. 8: No. 1, Au bord de l'eau (Transcr. Jacques)
2 Songs, Op. 43: No. 2, Nocturne (Transcr. Garcia)
Tancredi, Act I: "Di tanti palpiti" (Transcr. Garcia)
La cumparsita (Transcr. De Azpiazu)
Dido and Aeneas, Z. 626, Act III: "When I Am Laid in Earth" (Transcr. Garcia)
13 Canciones españolas antiguas: No. 1, Anda, jaleo
Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre (Transcr. Garcia)
详细介绍:
From John Dowland to Benjamin Britten, visiting en passant Barbara, Fauré and Rossini, Philippe Jarrousky and Thibaut Garcia revisit five centuries of music in this very intimate album.
The young guitarist from Toulouse and the countertenor from Versailles come together beautifully: a cross-interview for the simple text accompanying the programme allows us to discover the communicative complicity of two musicians from different generations. Despite his certain willingness to share the bill equally, one must admit that Thibaut Garcia on guitar is slightly more dominant: at ease in all styles—his interpretation of Schubert's arrangement of Erlkönig is strikingly virtuoso—he always accompanies Philippe Jaroussky with great elegance, more or less convincingly depending on the piece. Nevertheless, there are some very enjoyable surprises, such as the delicate version of Barbara's Septembre.
The listener may be a little bewildered by the extent of the period covered; indeed, it is difficult to segue seamlessly from one universe to another. But everyone is free to select and choose according to his or her taste between a Fauré Nocturne and a Rodríguez tango. Therefore let us welcome this recital for what it is, a beautiful story of friendship: after all, music is also a sharing experience. © Pierre Lamy/Qobuz