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专辑名称: Amata dalle tenebre
创作艺人: [Orchestra del Teatro della Scala di Milano]
音乐流派: Classical|古典
专辑规格: 1碟18首
出品公司: Deutsche Grammophon (DG)
发行时间: 2021/11/5
官方标价: ¥96.00 (会员免费下载)
域名语言: [it][en] (AI检测)


曲目介绍:

Poveri fiori
Thy hand, Belinda
When I am laid in earth "Dido's Lament"
Uzh polnoch blitzitsya
Akh, istomilas ya gorem
Es gibt ein Reich
Ritorna vincitor!
Numi, pietà
Dich, teure Halle – Introduction
Dich, teure Halle
Un bel dì vedremo
Einsam in trüben Tagen
Tu che le vanità – Introduction
Tu che le vanità
Sola, perduta, abbandonata – Introduction
Sola, perduta, abbandonata
Prelude to Act I
Mild und leise wie er lächelt "Isoldes Liebestod"


详细介绍:

Who is this lover of darkness (Amata delle tenebre) in the title of Anna Netrebko's latest album? He is the evil character who causes much female distress, who composers and librettists have taken malicious pleasure in portraying in their works. In her essay L’Opéra ou la défaite des femmes published in 1979 (Éditions Grasset), Catherine Clément had already dedicated her fascinating essay to those women who were assassinated, abandoned, despised, but also exalted throughout the long history of the opera.

It is these heroines that Anna Netrebko has chosen for this album which, in the deluxe hard copy version, includes a film dedicated to the Russian diva. Eagerly anticipated for five years, this new recital is conducted by Riccardo Chailly at the head of the Orchestra of La Scala in Milan. Netrebko's exceptional voice shimmers with a thousand spells in its power and variety in these famous excerpts, onto which she imprints her own fiery temperament. It begins with Cilea's Adriana Lecouvreur (« Poveri fiori »)  and ends with la Mort d’Isolde (« Mild und leise ») consumed by love.

In between these two pieces, there is a feast of sublime arias from Dido and Aeneas (Purcell), The Queen of Spades (Tchaïkovsky) which she has recorded here for the first time, Ariadne's great aria from Ariadne auf Naxos (Strauss), Aida and Don Carlo (Verdi), Tannhäuser and Lohengrin (Wagner), and Puccini's Madama Butterfly and Manon Lescaut. Nothing but beautiful singing, nothing but pleasure thanks to a voice that, over time, continues to blossom in its lower register and, what is more, is lovingly supported by the Milanese musicians. © François Hudry/Qobuz

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