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专辑名称: Saint-Saëns: Complete Symphonies
创作艺人: [Cristian Mǎcelaru & Orchestre national de France]
音乐流派: Classical|古典
专辑规格: 1碟20首
出品公司: Warner Classics
发行时间: 2021/11/5
官方标价: £9.79 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
I. Poco adagio. Allegro vivace
II. Larghetto
III. Scherzo (Allegro vivace)
IV. Finale. Allegro molto. Presto
I. Adagio. Allegro
II. Marche. Scherzo (Symphony No. 1 in E-Flat Major, Op. 2)
III. Adagio
IV. Finale. Allegro maestoso
I. Largo – Allegro
II. Molto vivace
III. Moderato assai serioso
IV. Poco Allegretto. Andante con moto
I. Allegro marcato. Allegro appassionato
II. Adagio
III. Scherzo. Presto
IV. Prestissimo
I. (a) Adagio – Allegro moderato
I. (b) Poco adagio
II. (a) Allegro moderato – Presto
II. (b) Maestoso. Allegro
详细介绍:
It is about time that a Parisian orchestra finally turned its attention to recording something other than Debussy and Ravel in the French repertoire that it should be championing as a priority. While we await the symphonies of Magnard, Ropartz or Honegger, here are all those of Camille Saint-Saëns, conducted by Cristian Măcelaru, at the head of the Orchestre National de France, a post which he has held since the 1st of September 2020.
Before even talking about the works, let us underline the extraordinary subtlety of Măcelaru%27s conducting, his sense of nuance, the suppleness of the expressions, the accuracy of the tempos. Under his vibrant baton, the National seems to have found a new lease of life and a new precision. As for Saint-Saëns%27 five symphonies, they are, except for the famous Symphonie avec orgue (1886), all early works… and one could not blame the young composer for shamelessly plagiarising his elders! He was fifteen when he composed his Symphony in A major (unnumbered), which owes everything to Haydn%27s London Symphonies and Mozart%27s Jupiter Symphony, just as the young Schubert had done before him.
Three years later, he composed his Symphony No. 1 strongly influenced by Beethoven%27s Eroica, (which is also in the key of E flat major) against which, infringing on a Beethoven symphony would have been entitled to protest. At the age of nineteen, the spirited young man wrote the Urbs Roma Symphony (unnumbered), an epic-like homage to ancient Rome with all the panache one can command at that age.
The Second Symphony, which followed five years later, is less passionate, more sober and much more personal. As for the famous Symphony No. 3 in C minor, it enshrines a composer who has reached the peak of his talent. So let us salute the beautiful rendering given here by Olivier Latry on the Nouvel Auditorium de Radio France organ, the Orchestre National and Cristian Măcelaru, whose nervous and sharp conducting carries us away with him. © François Hudry/Qobuz