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专辑名称: Kaleidoscope
创作艺人: [Fatma Said]
音乐流派: Classical|古典
专辑规格: 1碟20首
出品公司: Warner Classics
发行时间: 2022/9/2
官方标价: £9.79 （会员免费下载）
域名语言: [fr] （AI检测）
曲目介绍：
Minué cantado
Obéissons, quand leur voix appelle (Manon)
Il est dans les nuits espagnoles (La Fiancée en Loterie)
Je t‘aime (Les Trois Valses)
Wiener Blut (Wiener Blut)
Meine Lippen, sie küssen so heiß (Giuditta)
Barcarolle: Belle nuit, ô nuit d’amour (Les Contes d’Hoffmann)
Je veux vivre (Roméo et Juliette)
La tarántula é un bicho mú malo (La Tempranica)
I Could Have Danced All Night (My Fair Lady)
Ich tanze mit dir in den Himmel hinein
Cheek to Cheek
Youkali
Por una cabeza
Ad Ay Sa’ab (El Choclo)
Yo Soy María
J’oublie (Oblivion)
La Javanaise
Senza fine
I Wanna Dance with Somebody (Who Loves Me)
详细介绍:
The 20 tracks on Kaléïdoscope reveal the many facets of Fatma Saïd’s vibrant personality. The soprano—whose first album, El Nour, was so well received it was awarded a Qobuzissime—takes on multiple vocal characters, each equally joyful and delivered in her signature velvety tone. She creates a rich musical landscape, bursting with beautiful pieces from the likes of Offenbach, Massenet, Weill and Gardel.
When it comes to the singer’s choice of repertoire, she states: “Since I was very young, dance has accompanied me everywhere, and I’ve learnt a number of different styles. […] While researching potential repertoire for this album, I found myself drawn to songs from a number of very different countries and peoples, all with strong dance elements—sometimes in the words, but invariably in the music. It’s hard to imagine music without dance, or dance without music. For me, both are inseparable.”
Fatma Saïd completely lets go in this album, and it’s a pleasure to experience the feeling of weightlessness that seems to guide each of these tracks. It’s also wonderful to hear the evolution of her operetta registers, particularly in the bolero from Massenet’s La Fiancée en loterie with its delicious Hispanic flavour.
Kaléidoscope documents the singer’s craft remarkably well, as well as the acting dimension that accompanies it. Saïd’s voice adapts perfectly to every mood and style: unhurried in the Barcarolle from Contes d’Hoffmann, jubilant in I Could Have Danced All Night (an impressive track from the film My Fair Lady) and mysterious and restrained in Youkali. She even offers a stunning yet unexpected jazzy digression with Cheek to Cheek.
Far from being just one more album in a vast catalogue, Kaléïdoscope is a spectacular portrayal of this Egyptian singer. And what a singer she is! © Pierre Lamy/Qobuz