HR 88.2kHz/24Bit 
专辑名称: Vivaldi: Concerti per archi III e concerti per viola d'amore
创作艺人: [Accademia Bizantina, Ottavio Dantone]
音乐流派: Classical|古典
专辑规格: 2碟54首
出品公司: naïve classique
发行时间: 2018/5/11
官方标价: £9.49 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
I. Allegro
II. Andante
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Adagio
III. Allegro
I. Allegro molto
II. Andante e sempre piano
III. Presto
I. Allegro
II. Adagio
III. Allegro molto
I. Allegro molto
II. Andante molto
III. Allegro molto
I. Allegro
II. Andante
III. Allegro
I. Adagio
II. Allegro
III. Largo
IV. Allegro
I. Allegro
II. Adante
III. Presto
I. Allegro alla Francese
II. Largo
III. Allegro
I. Allegro molto
II. —
III. Allegro molto
I. Allegro molto
II. Andante
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. —
II. Largo
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. Allegro (Related to RV 744) (Related to RV 744)
详细介绍:
Concertos for viola d%27amore represent a fairly atypical part of Vivaldi%27s work, and he was probably the first composer to write pieces for this work in the solo concerto format. The viola d%27amore was certainly well-liked for its soft, suggestive sound, which evoked the moods and climes of the orient thanks, in particular to its sympathetic strings which vibrate with those strings the player bows. But it was little-used because of its complex tuning and objective difficulties involved in playing it. In fact, the instrument would be tuned in different ways to fit the tonality of the piece being played – the famous scordatura, so finicky for the musicians – and it is believed that Vivaldi wrote these specifically for one of the musicians at Venice%27s Pietá: the famous Anna-Maria. Another characteristic of these concertos for viola d%27amore, the rapid movements are also much longer and fuller than in most of Vivaldi%27s writing, for example in the seven string concertos which figure at the start of the album, or in the miniatures which were intended as showcases for the talent of the greatest possible number of soloists in the public concerts at the Pietá. A little curiosity is offered up here in the shape of the original concerto La Conca RV163, whose themes mimic the sound of the conca, a kind of large marine conch used as an instrument since prehistoric times. The recording includes a conch being sounded at the start of the first movement by way of explanation. © SM/Qobuz
