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专辑名称: Chopin: 12 Études, Op. 25 & 4 Scherzi
创作艺人: [Beatrice Rana]
音乐流派: Classical|古典
专辑规格: 1碟16首
出品公司: Warner Classics
发行时间: 2021/9/24
官方标价: £9.79 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
12 Études, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp"
12 Études, Op. 25: No. 2 in F Minor
12 Études, Op. 25: No. 3 in F Major
12 Études, Op. 25: No. 4 in A Minor
12 Études, Op. 25: No. 5 in E Minor
12 Études, Op. 25: No. 6 in G-Sharp Minor
12 Études, Op. 25: No. 7 in C-Sharp Minor
12 Études, Op. 25: No. 8 in D-Flat Major
12 Études, Op. 25: No. 9 in G-Flat Major, "Butterfly"
12 Études, Op. 25: No. 10 in B Minor
12 Études, Op. 25: No. 11 in A Minor, "Winter Wind"
12 Études, Op. 25: No. 12 in C Minor
Scherzo No. 1 in B Minor, Op. 20
Scherzo No. 2 in B-Flat Minor, Op. 31
Scherzo No. 3 in C-Sharp Minor, Op. 39
Scherzo No. 4 in E Major, Op. 54
详细介绍:
Beatrice Rana is back with a Chopin album to enchant listeners like never before. A musical prodigy recognised at an young age, the Italian pianist took to the stage early on, interpreting the great composers. However, entering Chopin%27s world was to take until she was 16: “My relationship with Chopin began relatively late – my teacher, Benedetto Lupo, did not want to introduce me to the composer early in my studies. At the time I was disappointed and frustrated, but now I can understand his reasoning. I began playing the Preludes at 16, and tackling them before then would not have been right for me. Chopin is reserved, visionary and mysterious – certainly not an easy composer for performers to deal with, requiring a huge amount of preparation and thorough research. There are Romantic elements to his work, but it is never sweet or sugary – it has powerful musical substance, even ferocious in places.”
Following her first recordings of Chopin%27s Préludes in 2012 (on ATMA Classique), Chopin%27s 12 Etudes Op. 25 and four Scherzi now follow – almost ten years later – on her trusted label Warner Classics. It is an album that is particularly distinguishable as Rana has a unique understanding of the Polish-French composer, and a profound engagement with his compositional style. Rana knows how to interpret Chopin in the context of his epoch, being careful not to reduce him to romantic clichés. In his 12 Etudes she develops – despite their respective autonomy – a common thread that runs through her recordings. Both the harmonic and vocal lightness of the first part and the emotional severity of the latter are reproduced here not in contrast but as a cohesive musical unit. The four Scherzi that follow on from this probably form the crowning conclusion of this disc. Rana%27s virtuosity and technical skills are on full display here, with her fingers gliding over the keys at lightning speed and at the same time, with enormous precision, as for example in the extremely rapid Scherzo No. 1, Op. 20. Rana claims that Chopin made the piano sing. On this album, we can say the same about her. © Lena Germann/Qobuz
