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专辑名称: Versailles (Rameau, Visée, Royer, Couperin, Lully…)
创作艺人: [Alexandre Tharaud]
音乐流派: Classical|古典
专辑规格: 1碟21首
出品公司: Warner Classics
发行时间: 2019/11/15
官方标价: £9.79 （会员免费下载）
域名语言: [fr] （AI检测）
曲目介绍：
I. Prélude
V. Le Rappel des oiseaux
Suite No. 9 in D Minor : IV. Sarabande (Transc. Tharaud for Piano)
Suite en mi : VIII. Tambourin
VI. L'Aimable
VII. Gavotte et six doubles
Sarabande "Dieu des Enfers" (After Lully's La naissance de Vénus)
XIV. La Marche des Scythes
Act 1 : "Viens, Hymen" (Phani)
IV. Premier et deuxième Tambourins
V. Les Ombres errantes
V. La Pothouïn
Suite en sol : XIV. Les Sauvages (Arr. Roques for Piano 4-Hands)
Chaconne
Ouverture de Cadmus et Hermione de Lully
Huitième Ordre : IX. Passacaille
Fugue grave
VIII. La de Belombre
Marche pour la cérémonie des Turcs (Transc. Tharaud for Piano)
XII. La Suzanne
Variations sur les folies d'Espagne
详细介绍:
One never comes across any ordinariness when following Alexandre Tharaud’s career. This new album is as impressive in the originality of its conception as much as its meticulous musical delivery. The French pianist appears to be nostalgic towards two different golden ages: that of 17th-century music, and that of the French piano during the 1950s, specifically Marcelle Meyer’s inspiring playing which Tharaud remains motivated by.
The “Versailles” which has attracted Alexandre Tharaud, and serves as the title for this recital is less Louis XIV’s opulent world of wonder and more of an intimate world of secret music. Without any difficulty, the pianist manages to make these pieces specifically written for the harpsichord his own, even going as far as inviting young harpsichordist Justin Taylor to join him for a rendition of Rameau’s Les Sauvages… for four hands on the piano!
If the pianist Marcelle Meyer had recorded Rameau and Couperin in an era more liberal than today, Alexandre Tharaud has the audacity to go against musicological rules for the listener’s benefit. Of course, we are accustomed to Bach, Scarlatti, Couperin and Rameau on the modern piano, but Pancrace Royer, Robert de Visée, Jean-Henry D’Anglebert and Jacques Duphly are suddenly thrust into the limelight of this musical collection which incidentally highlights their relevance. © François Hudry/Qobuz
