HR 96.0kHz/24Bit 
专辑名称: Rameau – Grands Motets
创作艺人: [Gaétan Jarry]
音乐流派: Classical|古典
专辑规格: 1碟26首
出品公司: Château de Versailles Spectacles
发行时间: 2022/1/14
官方标价: £9.04 （会员免费下载）
域名语言: [ro][fr][de] （AI检测）
曲目介绍：
I. Quam dilecta tabernacula
II. Cor meum et caro mea exulta verunt in Deum vivum
III. Etenim passer invenit sibi domum
IV. Altaria tua, Domine virtutum
V. Beati, beati
VI. Domine Deus virtutum
VII. Domine virtutum
I. In convertendo Dominus
II. Tunc repletum est gaudio
III. Magnificavit Dominus
IV. Converte, Domine
V. Laudate nomen Dei cum cantico
VI. Qui seminant in lacrymis
VII. Euntes ibant et flebant
Laboravi clamans
I. Deus noster refugium
II. Propterea non timebimus
III. Sonuerunt et turbatae sunt
IV. Fluminis impetus lætificat civitatem Dei
V. Deus in medio ejus
VI. Conturbatæ Sunt Gentes
VII. Dominus Virtutum Nobiscum
VIII. Venite, et videte
IX. Arcum conteret
X. Vacate, et videte
XI. Dominus virtutum nobiscum
详细介绍:
Gaétan Jarry’s spectacular, intense gestures and steadfast commitment always imbues his musicians with real vitality. This magnificent album is no different, with the soloists, choir and orchestra being carried along the vocal and instrumental coils of Rameau’s grands motets.
Rameau never had an official function as a composer of religious music and his contribution in this field is small in number, though great in quality. However, the four motets he did write pose a few issues. Written in the composer’s younger years, they feature inconsistent writing, as if several hands were involved in creating them. The originals have nearly entirely disappeared, with later versions being almost all that remain—meaning they’ve often been reworked and are sometimes incomplete.
Likely composed around 1720, Quam dilecta features two accomplished fugues which boast a rigourous writing style that’s rather rare in French music. The seven numbers of the motet In convertendo present notable differences in style that raise many questions for historians. Nonetheless, the music finds a noble and sincere expression, especially in the last two movements that contain some of the most beautiful passages ever composed by Rameau. Laboravi clamans is the only motet that was published during Rameau’s lifetime, and he included it in his 1722 “Traité de l’harmonie” (Treatise on Harmony). Its brevity suggests that this single movement may have belonged to a motet that has since been lost. Deus noster refugium is a true French-style “grand motet”. With its rich and varied movements, it represents the composers largest religious work. On top of that, it hints at the lyrical compositions that would later bring Rameau fame. © François Hudry/Qobuz
