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专辑名称: A Room of Mirrors
创作艺人: [Emiliano Gonzalez Toro, Zachary WIlder, Ensemble I Gemelli]
音乐流派: Classical|古典
专辑规格: 1碟14首
出品公司: Gemelli Factory
发行时间: 2022/3/4
官方标价: £8.29 （会员免费下载）
域名语言: [it] （AI检测）
曲目介绍：
Damigella tutta bella, Madrigali & arie
Dialogo della rosa, Musiche da cantar I
Dove ten'vai, Madrigali I
La vecchia innamorata, Scherzi e canzonette V
Folia echa para mi señora
Se l'aura spira, Arie musicali
Sonata Quarta
Mai non disciolgasi, ciaccona, Ariosi concerti
Piangono al pianger mio, romanesca (Musiche da cantar I)
Langue al vostro languir, Musiche da cantar V (Langue al vostro languir)
Giunto alla tomba, Musiche da cantar III
Intenerite voi, Musiche nuove I
Quella que tanto, Primo mazetto di fiori musicalmente colti dal giardino Bellerofonteo
Folgori Giove, Madrigali concertati VI
详细介绍:
The giant against whom all Italian composers were measured throughout the seventeenth century was Monteverdi, the absolute monarch of vocal music and, if not inventor, at least the genial promoter of new forms. Emiliano Gonzalez Toro, Zachary WIlder and I Gemelli have chosen to focus on the reflections of this tutelary figure, evoking the master rather than the citer.
It was Monteverdi who “invented” the opera duet, and more precisely the tenor duet, in L’Orfeo (1609), representing the dialogue between Orpheus and Apollo in a virtuosic and symbiotic style: the voices entwine in a profusion of melisma in which it is difficult to distinguish which of the two gods is the father and which the son. The technique was further developed in the seventh book of madrigals by that same Monteverdi, a genuine laboratory of modern music.
It was therefore quite natural for the Ensemble I Gemelli to produce a recital based on twinned voices, and particularly in this tenor tessiture, which dominated the others in the early seventeenth century. They have chosen to represent the peak of the Baroque era, in a programme that mirrors the tutelary figure of the great Claudio. Here, the Damigella tutta bella is not that of the Scherzi musicali, but a piece by Castelani; Dove ten vai is a direct quotation from L’Orfeo, but in a duet version by Turini, while Gregori’s boisterous chaconne is an obvious reference to Zefiro torna. © Gemelli Factory
