HR 48.0kHz/24Bit 
专辑名称: Rich White Honky Blues (Explicit)
创作艺人: [Hank Williams Jr.]
音乐流派: COUNTRY|乡村音乐
专辑规格: 1碟12首
出品公司: Easy Eye Sound
发行时间: 2022/6/17
官方标价: £8.39 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
.44 Special Blues
Georgia Women
My Starter Won't Start
Take Out Some Insurance
Rich White Honky Blues
Short Haired Woman
Fireman Ring The Bell
Rock Me Baby
I Like It When It's Stormy
Call Me Thunderhead
TV Mama
Jesus, Won't You Come By Here
详细介绍:
Produced by The Black Keys%27 Dan Auerbach and recorded over three days, Hank Williams Jr.%27s 57th studio album is a set of mostly covers of songs by blues greats, backed up by a killer North Mississippi band: bassist Eric Deaton (who played with T-Model Ford on Fat Possum%27s Juke Joint Caravan), electric slide guitarist Kenny Brown (who R.L. Burnside called my adopted son) and drummer Kinney Kimbrough (son of Junior Kimbrough), plus Auerbach. Williams has long flirted with what he calls stripped-back blues, usually under the stage name Thunderhead Hawkins. Here, he sounds, at times, jubilantly playful—riffing and strutting like a Bantam rooster on Lightnin%27 Hopkins%27 My Starter Won%27t Start and getting deep into the rollicking, bottom-heavy grease of Burnside%27s Georgia Women. (All the way to Mobile, baby/ All the way to Birmingham! Williams crows.) A particular standout is Burnside%27s sweltering-cool Fireman Ring the Bell, a funky dance-floor call with Williams unleashing a fiery whooooo! He even adds his own unique wail at the end: His name is Thunderhead %27cause he fell off that mountainside, a reference to the 1975 climbing accident that nearly killed the singer and led to his signature look of a beard, sunglasses and cowboy hat, all to cover his scars. Other bits of improv are more cringeworthy, like when Williams announces I ain%27t gonna be here crying after you, bitch on Jimmy Reed%27s Take Out Some Insurance. Too bad, as the song is a corker up until that point, with Williams twisting the word insurance into some language of his own and borrowing a bit of his dad%27s famous yodel for the line if you e-e-e-ver say goodbye. Likewise, a muscular take on TV Mama swings and sashays so much you don%27t miss the piano rolls and powerful elegance of Big Joe Turner%27s voice . . . but Auerbach could%27ve cut the ad lib I must be having one of them wet dreams. Williams also rolls out a few of his own numbers, including the chugging title track and I Like It When It%27s Stormy, which is the most country of the bunch and has a real outlaw feel: sun-leathered and don%27t give a damn. His Call Me Thunderhead, a growling junkyard dog of a song, is almost parody with its list of self-referential bona fides, warning of imposters: They got no scars and don%27t know nothing about being whiskey bent and hell-bound (the title of a classic Jr. country track). It all closes out with a super soulful, shambling spin on Hopkins%27 Jesus, Won%27t You Come By Here that exposes the twisted and overlapping roots of country, gospel, and blues.
