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专辑名称: BD Music Presents Joan Baez
创作艺人: [Joan Baez]
音乐流派: COUNTRY|乡村音乐
专辑规格: 2碟46首
出品公司: BDMUSIC
发行时间: 2015/10/16
官方标价: £9.99 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
The Banks of the Ohio
O What a Beautiful City
Sail Away Ladies
Black Is the Color of My True Love Hair
Lowlands
What You Gonna Call Your Pretty Little Baby
Kitty (feat. Bill Wood)
So Soon in the Morning
Carless Love
Don’t Weep After Me (feat. Bill Wood & Ted Alevizos)
Silver Dagger
East Virginia
Fare Thee Well (10.000 Miles)
House of the Rising Sun
All My Trials
Wildwood Flower
Donna Donna
John Riley
Rake and Rambling Boy
Little Moses
Mary Hamilton
Henry Martin
El Preso Nùmero Nueve
Wagoner’s Lad
The Trees They Do Grow High
The Lily of the West
Engine 143
Once I Knew a Pretty Girl
Lonesome Road
Pal of Mine
Barbara Allen
The Cherry Tree Carol
Old Blue
Railroad Boy
Plaisir d’amour
Babe, I’m Gonna Leave You (Live)
Geordie (Live)
Copper Kettle (Live)
Kumbaya (Live)
What Have they Done to the Rain ? (Live)
Gospel Ship (When We’re Traveling Through the Air) [Live]
The House Carpenter (Live)
Pretty Boy Floyd (Live)
Lady Mary (Live)
Até Amanhã (Live)
Matty Groves (Live)
详细介绍:
A direct descendant of founders Woody Guthrie and Pete Seeger, Joan Baez will forever remain the queen of sixties protest folk, an icon, even. Against the backdrop of the civil rights struggle and the Vietnam War, this daughter of a Mexican father and a Scottish mother gradually moved away from the artistic preoccupations of her ex, Bob Dylan, to throw herself into the struggle, joining the ranks of organisations like Amnesty International. But all her political commitments would never strip the poetry from her music. And even when she does revisit her teachers (Dylan, Guthrie, Donovan), the otherworldly beauty of her voice intoxicates the listener. Later, as she changed with the times, Joan Baez would sometimes drop her pure folk sound to beef up her instrumentation… Human rights, LGBT causes, the fight against the death penalty and the fight for the environment were all causes which she tenaciously carried throughout the four magnificent albums which are collected here: Folk Singers ‘Round Harvard Square (1959) with Bill Wood and Ted Alevizos, Joan Baez (1960), Joan Baez Vol. 2 (1961) and the live recording, Joan Baez in Concert (1962). This striking snapshot of an era resonates today with the same intensity. © Marc Zisman/Qobuz
